Constança Araújo Amador, also known as aConstança, is based in Porto, Portugal, and engages in artistic practices encompassing drawing and painting, particularly in the illustration of contemporary Portuguese poetry and its relationship with Nature. Her works have been featured in published books, newspapers, magazines, and she regularly participates in both solo and group exhibitions.

She teaches at the polytechnic higher education level and serves as an illustration instructor at the Faculty of Fine Arts of the University of Porto (FBAUP), where she is currently pursuing a doctorate in fine arts. Constança holds a master's degree in illustration and animation (IPCA), a postgraduate degree in cultural management (UPT), and a bachelor's degree in fine arts - painting from FBAUP. In 2007/2008, she attended the Akademie Výtvarných Umění v Praze (AVU) in Prague, Czech Republic.

She has coordinated educational projects for institutions such as Porto/Post/Doc, Curtas Vila do Conde, Solar - Galeria de Arte Cinemática, and ANIMAR. Constança has collaborated for over 10 years as an art educator in museum educational service teams, working with museums and institutions including the Museum of Contemporary Art of the Serralves Foundation in Porto, the Oliva Art Center in São João da Madeira, the Porto City Museum, and the Cupertino de Miranda Foundation in Vila Nova de Famalicão.

Constança was the illustration director for the Jornal Universitário do Porto (JUP) and has curated illustration exhibition cycles in various organizations and institutions, such as the Bienal da Maia, Espaço Porto Cruz, and the Auditorium of the Academia de Música de Espinho.

She likes birds.

O Lobo Sou eu, Apuro Edições (2021);
Zmerzlina, self-published (2018);
Onde o olhar se demora, Gallery Trindade (2017);
Palavras-Chave, Trinta por uma Linha (2017);
Simão e a Caixa de Pensar, Trinta por uma Linha (2016);
Geração Descartável, Texto Sentido (2015);
Pessoas, Apuro Edições (2015);
Melancholia, collection Filmes da Minha Vida, AoNorte Cineclube Viana (2013)

Arranha-céus (2014);
Associação Cultural Museu do Cavaquinho (2014)
180 Creative Camp, Abrantes (2016);
Municipal Library Eduardo Lourenço, Guarda (2018, 2019);
Municipal Library João Brandão, Tábua (2018);
Casa da Animação, Porto (2017);
Casa-Museu Guerra Junqueiro, Porto (2019);
Centro de Arte Oliva, São João da Madeira (since 2014);
CLOSE-UP – Observatório de Cinema de Famalicão (2019);
Diário de Notícias (2015, 2016);
EME magazine (ES) (2014);
Escola Artística de Soares dos Reis, Porto (2018);
Escola Artística e Profissional Árvore, Porto (2013 and 2018);
Escola Secundária Dr. Manuel Laranjeira, Espinho (2014);
Escola Secundária Ferreira de Castro, Oliveira de Azeméis (2012);
Escola Secundário Serafim Leite, São João da Madeira (2013);
Escola Superior de Arte e Design (ESAD), Matosinhos (2014);
Faculty of Fine Arts of the University of Porto (desde 2017);
Flanzine n.º13 (2016);
Fundação Cupertino de Miranda, Vila Nova de Famalicão (2009 — 2014);
Histórias da Ajudaris / Banco de Portugal (2016; 2015);
International Animation Film Festival of Espinho (CINANIMA) (2014);
International Illustration Meeting of São João da Madeira (2014, 2016);
Jornal Correio do Porto (2014);
Jornal Público (2021);
Museum of Contemporary Art of the Serralves Foundation (until 2020);
Museum of Infante, Porto (2019);
Museum of Port Wine (2019)